Silent Night 2A
This Is The Day 2B
Happy Birthday 2C in progress
Revelation Song 2D
Chord Charts (MASTERS) 3
This Is The Day 4
This Is The Day 5 Fijian only
Lead Me 6A+
fretboard 6B+
fretboard 6C&D
From the Inside Out (Everlasting) 7A+
tabs 7B&C+
guitar tabs 8A+
chord charts (ADF#B tuning) 8C&D
(capo 2)
chord building 9
10
Chord finder (key slide) 11 PRINTED
Amazing Grace 12A+&13B+ READY
The Butterfly Song 12C+
Jesus Messiah 14A+
chord charts 15A+&C+
I’ll Fly Away 16

A B
C D

Silent Night D-DU-UD-
1818, Joseph Mohr & Franz Gruber 3/4
C G7 C C
C - - -
Silent night, holy night
Silent night, holy night
Silent night, holy night
G7 - C -
All is calm, all is bright
Shepherds quake at the sight
Son of God, love's pure light
F - C -
Round yon Virgin Mother and Child
Glories stream from heaven a- far
Radiant beams from Thy holy face
F - C -
Holy Infant so tender and mild
Heavenly hosts sing Allelu- ia!
With the dawn of re- deeming grace
G7 - C -
Sleep in heavenly peace
Christ, the Saviour is born
Jesus, Lord, at Thy birth
- G7 C -
Sleep in heavenly peace
Christ, the Saviour is born
Jesus, Lord, at Thy birth

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This is the Day Psalm 118:24
English, Bengali, Fijian (Palm Sunday/Passover)
C (D) - G (A)
This is the day, this is the day, that the Lord has made, that the
Ajker eai din, ajker eai din, ishwar shristi korechen, ishwar
Oqo na siga, oqo na siga, sa le- sia na Kalou, sa le-
- - -
Lord has made, I will rejoice, I will rejoice, and be
shristi korechen, Amra tahar, amra tahar, stuti
sia na Kalou Me da marau, me da marau, ka se-
C (D) -
glad in it, and be glad in it
gahibo, stuti gahibo,
re vua, ka se- re vua
F (G) C (D)
This is the day that the Lord has made
Ajker eai din ishwar shristi korechen,
Oqo na siga sa le- sia na Kalou
F (G)
I will rejoice and be
Amra tahar stuti
Me da marau ka se-
C (D) - - G7(A7) C (D)
glad in it This is the day, this is the day that the Lord has made
gahibo, Ajker eai din, ajker eai din, ishwar shristi kore- chen
re vua Oqo na siga, oqo na siga, sa le- sia na Ka- lou

D-DUD-DU
4/4

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Happy Birthday (G)
G
D
G
C
GDG
4 1 2 3 4 1 2 3
D D E D G F#
Happy birth day to you
4 1 2 3 4 1 2 3
D D E D A G
Happy birth day to you
4 1 2 3 4 1 2 3
D D B A G F# E
Happy birth day dear __ - _
4 1 2 3 4 1 2 3
C C B G A G
Happy birth day to you

Revelation Song Jennie Lee Riddle
V1,V1,C,V2,C,V3,C,C Key: D (G?) 4/4
D2 Am7
V1: Worthy is the Lamb who was slain.
V2: Clothed in rainbows, of living color.
V3: Filled with wonder, awestruck wonder,
C2 G
V1: Holy, holy is He- .
V2: Flashes of lightening, rolls of thunder.
V3: At the mention of Your Name.
D2 Am7
V1: Sing a new song to Him who sits on
V2: Blessing and honor, strength and glory and power be,
V3: Jesus, Your Name is power, breath and living water.
C2 G
V1: Heaven's Mercy Sea- t.
V2: To You, the only wise King.
V3: Such a marvelous mystery- .
D2 Am7
C: Holy, Holy, Holy is The Lord, God Almighty.
C2 G
C: Who was and is and is to come.
D2 Am7
C: With all creation I sing, "Praise to The King of Kings,
C2 G D2 Am7 C2 G
C: You are my everything. And I will adore You".

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This is the Day Psalm 118:24
English, Bengali, Fijian (Palm Sunday/Passover)
C (D) - G (A)
This is the day, this is the day, that the Lord has made, that the
Ajker eai din, ajker eai din, ishwar shristi korechen, ishwar
Oqo na siga, oqo na siga, sa le- sia na Kalou, sa le-
- - -
Lord has made, I will rejoice, I will rejoice, and be
shristi korechen, Amra tahar, amra tahar, stuti
sia na Kalou Me da marau, me da marau, ka se-
C (D) -
glad in it, and be glad in it
gahibo, stuti gahibo,
re vua, ka se- re vua
F (G) C (D)
This is the day that the Lord has made
Ajker eai din ishwar shristi korechen,
Oqo na siga sa le- sia na Kalou
F (G)
I will rejoice and be
Amra tahar stuti
Me da marau ka se-
C (D) - - G7(A7) C (D)
glad in it This is the day, this is the day that the Lord has made
gahibo, Ajker eai din, ajker eai din, ishwar shristi kore- chen
re vua Oqo na siga, oqo na siga, sa le- sia na Ka- lou

D-DUD-DU
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This is the Day Psalm 118:24
Fijian (Palm Sunday/Passover)
C (D) C (D) G7(A7) C (D)
C (D) - G (A)
Oqo na siga, oqo na siga, sa le- sia na Kalou, sa le-
[Ongo] [sig(n)a]
- - -
sia na Kalou Me da marau, me da marau, ka
[Me(n)] [mar̃au]
C (D) -
sere vua, ka sere vua
F (G) C (D)
Oqo na siga sa le- sia na Kalou
F (G)
Me da marau ka
C (D) - - G7(A7) C (D)
sere vua Oqo na siga, oqo na siga, sa le- sia na Kalou

D-DUD-DU
4/4

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Sanctus Real - "Lead Me" Capo 1 I,V1,C1,V2,C1,B,C2
Intro: C - Am -
Verses:
C - Am
V1 I look around and see my wonderful life Almost perfect
V2 I see their faces, look in their innocent eyes They're just children
- C -
V1 from the outside In picture frames I see my beautiful wife
V2 from the outside I'm working hard, I tell myself they'll be fine
Am - G -
V1 Always smiling But on the insi de, Oh, I can hear her saying… [C1a]
V2 They're independent But on the insi de, Oh, I can hear them saying… [C1a]
Chorus:
C - G -
C1a Lead me with strong hands Stand up when I can't; Don't
C1b Show me you're willing to fight; That I'm still the love of your life; I
C2a lead them with strong hands; To stand up when they can't; Don't want to
C2b show them I'm willing to fight; And give them the best of my life; So
F - Am G
C1a leave me hungry for love; Chasing dreams, but what about us? [C1b]
C1b know we call this our home; But I still feel alone [C1]
C2a leave them hungry for love, Chasing things that I could give up; I’ll [C2b]
C2b we can call this our home Lead me, 'cause I can't do this a- [C2]
C - Am G C
C1 [V2,B]
C2 lone Father, lead me, 'cause I can't do this a lone
Bridge:
Am F C G
So Father, give me the str ength; To be e verything I'm called to be; Oh,
Am F C - G -
Father, show me the w ay; To lead them Won't You lead me? To [C2a]

http://www.ukulelestrummers.com/Ukefretboard.html

From The Inside Out (Everlasting) Hillsong United
Intro: F F C G (3x) F F C Key: C 4/4
G F F C G
V1: A thousand times I’ve fa iled Still Your me rcy remains
V2: Your will ab ove all else My pur pose rem ains
F F C G
V1: And should I stumble again I’m caught in Your gr ace
V2: The art of losing myself In brin ging You pr aise
Am F C G
V: Everl asting Your l ight will shine when all else fades
Am F C G
V: Never ending Your glory goes be yond all fame
V1: F F C G F F C [to V2]
V2: F
F C Am
C1: In my heart and my soul Lord I give You control
G
C1: Consume me from the inside out
F Am G
C1: Lord let justice and praise Become my embrace
Dm
C1: To love You from the inside out (repeat)
C2: “V” above (2 lines)
C F G Am
C2: And the cry of my heart Is to bring You praise
F G F G
C2: From the inside out Lord my soul cries out
Other: F C Am G F Am G Dm
F G F G F
C2: From the inside out Lord my soul cries out, Lord

(1) Artist:
(2) Song:
(3) Album:United we stand
(4) Tabbed by technofreak15@hotmail.com
(5) Key: C
Standard Tuning: (e)(b)(g)(d)(a)(e)
Chords:
F C G Am
e---------| e---------| e----3-----| e----------|
b---1-----| b----1----| b----3-----| b----1-----|
g---2-----| g----0----| g----0-----| g----2-----|
d---3-----| d----2----| d----0-----| d----2-----|
a---------| a----3----| a----2-----| a----------|
e---------| e---------| e----3-----| e----------|

((Electric guitar)) h=hammer on /=slide
Intro:
e----------------12---------12------------------------------|
b---------13-------------13----12-13h15-12------------------|
g--12h14------14------12-------------------12---------------|
d-----------------------------------------------------------|
a-----------------------------------------------------------|
e-----------------------------------------------------------|
Solo:
e---------------12-----13------12-------|
b-13-----13-----12-x8--12--x4--12--x4---|
g-14-x8--12-x8--------------------------|
e---------------------------------------------------------|
b-13--12--10--12-------13--12--10--10--12-----------------|
g-----------------12-----------------------10-------------|
e-------------------------|
b------------------10-----|
g--9--10--9--7--9---------|
e-------------------------12------------| x2
b--13--12--10--12--13--x1---12-x8-------|
g---------------------------------------|
e------17------17------17------17------17-------(19)---|
b--15------15------15------15------15------(17)--------|
g------------------------------------------------------|

B

(capo 2 on GCEA tuning)

Major scales:
C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B
1 2 3 4 5 6 7 9 11 13
1 2 3 4 5 6 7 9 11 13

	C	C#	D	D# / /Eb	E	F	F#	G	G# / /Ab	A	A# / /Bb	B	C	C# / /Db	D	D# / /Eb	E	E#/ / F	F#	G	G#	A	A#	B
C	1		2		3	4		5		6		7			9			11				13
C#		1		2		3	4		5		6		7
D			1		2		3	4		5		6		7			9			11				13
/Eb				/1		2		3	/4		/5		6		7
E
/F						1		2		3	/4		5		6		7
F#							1		2		3	4		5		6		7/
G								1		2		3	4		5		6		7
/Ab									/1		/2		3	/4		/5		6		7
A										1		2		3	4		5		6		7
/Bb											1		2		3	/4		5		6		7
B

Major Formulas:
Major 1 3 5
7 1 3 5 b7
9 1 3 5 b7 9
11 1 3 5 b7 9 11
13 1 3 5 b7 9 (11) 13 (11th normally omitted)
maj7 1 3 5 7
maj9 1 3 5 7 9
maj11 1 3 5 7 9 11
maj13 1 3 5 7 9 (11) 13 (11th normally omitted)
http://www.guitarchords.co.za/chord-building-theory
The 9th, 11th and 13th notes are the same as the 2nd, 4th and 6th notes respectively, but:
A 9th chord is distinguished from a 2nd chord, for it includes a 7th or a b7.
An 11th chord is distinguished from a 4th chord (suspended), for it includes a 7th or a b7, as well as a 9th.
A 13th chord is distinguished from a 6th chord, for it includes a 7th or a b7, a 9th and in some cases an 11th (but not necessarily).
Minor Formulas:
m 1 b3 5
m7 1 b3 5 b7
m9 1 b3 5 b7 9
m11 1 b3 5 b7 9 11
m13 1 b3 5 b7 9 (11) 13 (11th normally omitted)
min7 1 b3 5 7
min9 1 b3 5 7 9
min11 1 b3 5 7 9 11
min13 1 b3 5 7 9 (11) 13 (11th normally omitted)

The 9th, 11th and 13th notes are the same as the 2nd, 4th and 6th notes respectively, but:
A 9th chord is distinguished from a 2nd chord, for it includes a 7th or a b7.
An 11th chord is distinguished from a 4th chord (suspended), for it includes a 7th or a b7, as well as a 9th.
A 13th chord is distinguished from a 6th chord, for it includes a 7th or a b7, a 9th and in some cases an 11th (but not necessarily).

http://www.all-guitar-chords.com/lesson.php?id=107
when some1 says agumented fifth what does that mena exactly?
Augmented means "raised" or "sharpened", so it's a raised fifth.
what if there is a triangle after the chord like Bb(triangle) - It means Major 7th :)
7(♭5)-> dominant seven flat five -> 7(-5)
M9 ---> Major ninth ---> △(add9) ; Maj7(add9) ; M7(add9)
(♭9)---> dominant flat ninth ---> 7(♭9 ; 7(add♭9); 7-9 ; -9
11 ---> minor eleventh ---> min11 ; m11 ; min7(add11) ; m7(add11)
(#11) --> Major (or sharped) eleventh -> (+11) ; △(+11) ; M7(+11) ; △(#11) ; M7(#11)
M13 ---> Major thirteenth ---> △(add13) ; Maj7(add13) ; M7(add13) ; M7(add6)
sus4 ---> suspended fourth ---> -13 ; min7 (add13) ; m7(add13) ; -7(add 13) ; m7(add6)

Other extended chords follow the same rules as shown above, so that for example Maj9, Maj11 and Maj13, shown above are with major sevenths rather than minor sevenths: similarly m9, m11 and m13 will have minor thirds and minor sevenths.
http://en.wikipedia.org/wiki/Chord_(music)
Altered chords...

Red, yellow, green, blue
Orange
or purple?

Basic triads
1 3 5 C, Cmaj, C∆ The Major Triad
1 b3 5 Cm, Cmin, C- The Minor Triad
1 b3 b5 Cdim, Co The Diminish Triad
1 3 #5 Caug, C+ The Augmented Triad
(mostly on the V chord)
http://www.giftedplayer.com/gospelmusicnewsletter_805.php
Diatonic seventh
Extensions (9th, 11th, 13th)
1 3 5 7 maj7 Major 7th
1 3 5 7 9 maj9 Major 9th
1 3 5 7 11 maj11 Major 11th
1 3 5 7 13 maj13 Major 13th
In order for a 9th, 11th, or 13th chord to exist the seventh must be present in the chord. Otherwise, it’s just a major chord with and added 2nd, 4th or 6th.
There are conditions when adding the 4 to a major chord. Usually the third is omitted, creating a new chord called a suspended chord. The abbreviation for this chord is “sus.”
1 3 5 b7 7 Dominant 7th
1 3 5 b7 9 9 Dominant 9th
1 3 5 b7 11 11 Dominant 11th
1 3 5 b7 13 13 Dominant 13th
1 b3 5 b7 m7 Minor 7th
1 b3 5 b7 9 m9 Minor 9th
1 b3 5 b7 11 m11 Minor 11th
1 b3 5 b7 13 m13 Minor 13th
http://www.giftedplayer.com/gospelmusicnewsletter_1005.htm

non-diatonic scales such as the pentatonic or chromatic scales

test
-E♭-G♭ ♮ ♯♭𝄞 𝄢 𝄪 𝄐 𝄫 ♭ ♬ ♫ ♪ ♩ ♭ ♮ ♯
-E♭-G♭ ♮ ♯♭𝄞 𝄢 𝄪 𝄐 𝄫 ♭ ♬ ♫ ♪ ♩ ♭ ♮ ♯
test
cf
-E♭-G♭

diatonic triads

() = normally omitted)
http://www.giftedplayer.com/gospelmusicnewsletter_805.php
Diatonic seventh
Extensions (9th, 11th, 13th)
In order for a 9th, 11th, or 13th chord to exist the seventh must be present in the chord. Otherwise, it’s just a major chord with and added 2nd, 4th or 6th.
There are conditions when adding the 4 to a major chord. Usually the third is omitted, creating a new chord called a suspended chord. The abbreviation for this chord is “sus.”

non-diatonic scales such as the pentatonic or chromatic scales

Db	5b	C#	7#
D		D	2#
Eb	3b	D#
E		E	4#
F	1b	E#
Gb	6b	F#	6#
G		G	1#
Ab	4b	G#
A		A	3#
Bb	2b	A#
B/Cb	7b	B	5#
C	0	C/B#
Db		C#
D		D
Eb		D#
E/Fb		E
F		E#
Gb		F#
G
Ab		G#
A
Bb		A#
B

1		I					maj7, maj9, maj11, maj13, 6
				II (V of V)			7, sus4
2/9		ii/II(7)		m		m	m7, m9, m11, m6
				III (V of vi)			7, sus4
3	iii/III(7)			m		m	m7
4/11		IV					maj7, maj9, maj13, 6
5		V					7, 9, 11, sus4, 13
6/13		vi		m		m	m7, m9, m11
			relative minor
7		viio		o		o	m7♭5 (ø7)

Formula Symbols Name
1 3 5 , M, ma, maj, ∆ Major Triad
1 3 5 7 M7, Maj7, maj7, C∆7, Cj7, C+7 Major 7th
1 3 5 7 9 maj9 Major 9th
1 3 5 7 9 11 maj11 Major 11th (no 9?)
1 3 5 7 9 (11) 13 maj13 Major 13th (no 9?)
1 3 5 b7 7, 7, dom7 Dominant 7th
1 3 5 b7 9 9, 7(add9) Dominant 9th
1 (3) 5 b7 9 11 11 Dominant 11th (no 9?)
1 3 5 b7 9 (11) 13 13, 7(add13), 7(add6) Dominant 13th (no 9?)

D♭	5♭	C#	7#
D		D	2#
E♭	3♭	D#
E		E	4#
F	1♭	E#
G♭	6♭	F#	6#
G		G	1#
A♭	4♭	G#
A		A	3#
B♭	2♭	A#
B/C♭	7♭	B	5#
C	0	C/B#
D♭		C#
D		D
E♭		D#
E/F♭		E
F		E#
G♭		F#
G
A♭		G#
A
B♭		A#
B

1		I					maj7, maj9, maj11, maj13, 6
				II (V of V)			7, sus4
2/9		ii/II(7)		m		m	m7, m9, m11, m6
				III (V of vi)			7, sus4
3	iii/III(7)			m		m	m7
4/11		IV					maj7, maj9, maj13, 6
5		V					7, 9, 11, sus4, 13
6/13		vi		m		m	m7, m9, m11
			relative minor
7		viio		o		o	m7b5 (ø7)

Formula Symbols Name
1 3 5 6 6, M6, Maj6 Major 6th, 6th, Added-6th
1 3 5 6 9 6/9, 6(add9), Maj6(add9), M6(add9) Six-Nine
1 2 5 sus2, sus2 Suspended 2nd
1 4 5 sus4, sus4, sus Suspended 4th
1 4 5 b7 7sus4 7th Suspended 4th
1 b3 5 m, mi, min, - Minor Triad
1 b3 5 6 min6, m6, -6 Minor 6th
1 b3 5 b7 m7, -7, -7 Minor 7th
min7?
1 b3 5 b7 9 m9 Minor 9th
1 b3 5 b7 9 11 m11 Minor 11th (no 9?)
1 b3 5 b7 9 (11) 13 m13 Minor 13th (no 9?)
1 b3 5 7 m(Maj7), -(j7), m#7, -∆7, -maj7 Minor Major 7th
min7?, m(M7), min(Maj7), m(+7), -(M7), min(addM7)
1 b3 5 7 9 min9
1 b3 5 7 9 11 min11
1 b3 5 7 9 (11) 13 min13
1 b3 b5 dim, °, m(b5) Diminished Triad
1 b3 b5 bb7 dim7, °7, °, dim Diminished 7th
1 b3 b5 b7 ø7, m7b5, -7(b5) Half-Diminished 7th
½dim, ½dim7, m7(♭5), m7(-5)
1 3 #5 aug, +, +, (#5), +5 Augmented Triad (mostly on the V chord)
1 3 #5 b7 +7, 7+, 7+5, 7#5, 7(#5), 7(+5) Augmented 7th
1 3 #5 7 +(Maj7), Maj7+5, Maj7#5, +j7, ∆+7 Augmented Major 7th

http://www.all-guitar-chords.com/lesson.php?id=107
when some1 says agumented fifth what does that mena exactly?
Augmented means "raised" or "sharpened", so it's a raised fifth.
what if there is a triangle after the chord like Bb(triangle) - It means Major 7th :)
Symbol Name Alternate Symbol
M ---> Major ---> Maj
m ---> minor ---> min ; -
6 ---> Major Sixth ---> Maj6 ; M6
m6 ---> minor sixth ---> min6 ; -6
6 ---> six-nine ---> 6(add9) ; Maj6(add9) ; M6(add9)
9
M7 ---> Major seventh ---> Maj 7 ; △
7 ---> dominant seventh ---> (None)
m7 ---> minor seventh ---> min7 ; -7
m(M7)--> minor Major seventh --> min(Maj7) ; m(+7) ; -(M7) ; min (add M7)
Ø7 --> half-diminished seventh -> ½ dim ; ½dim7 ; m7(♭5) ; m7(-5)
ο7 ---> diminished seventh ---> ο ; dim ; dim7
+7 ---> augmented seventh ---> 7+ ; 7(#5) ; 7(+5)
7(♭5)-> dominant seven flat five -> 7(-5)
9 ---> dominant ninth ---> 7(add9)
M9 ---> Major ninth ---> △(add9) ; Maj7(add9) ; M7(add9)
(♭9)---> dominant flat ninth ---> 7(♭9 ; 7(add♭9); 7-9 ; -9
11 ---> minor eleventh ---> min11 ; m11 ; min7(add11) ; m7(add11)
(#11) --> Major (or sharped) eleventh -> (+11) ; △(+11) ; M7(+11) ; △(#11) ; M7(#11)
13 ---> dominant thirteenth ---> 7(add13) ; 7(add6)
M13 ---> Major thirteenth ---> △(add13) ; Maj7(add13) ; M7(add13) ; M7(add6)
sus4 ---> suspended fourth ---> -13 ; min7 (add13) ; m7(add13) ; -7(add 13) ; m7(add6)
+ ---> augmented -----> aug ; (#5) ; +5

Chris Tomlin—Amazing Grace (My Chains Are Gone) (2/4)
1,2,C,4,C,C,6,Will…, You... Keys: C(G) (orig. 3/4 - DDUD)
Am(),G(D),C,C, C(G) - F(C) C(G)
1 A mazing grace! How sweet the sound, That
2 ’Twas grace that taught my heart to fear, And
3 Through many dangers, toils, and snares, I
4 The Lord has promised good to me, His
5 Yes, when this flesh and heart shall fail, And
6 The earth shall soon dis- solve like snow, The
U When we’ve been there ten thousand years, Bright
C(G) - G(D) C(G) -
1 saved a wretch like me! I once was lost, but
2 grace my fears re- lieved; How precious did that
3 have al- ready come; ’Tis grace has brought me
4 word my hope se- cures; He will my shield and
5 mortal life shall cease; I shall po- ssess, with-
6 sun for- bear to shine; But God, who called me
U shining as the sun, We’ve no less days to
F(C) C(G) Am(G?Em) G(D) C(G)
1 now I'm found Was blind but now I see.
2 grace ap- pear, The hour I first be- lieved!
3 safe thus far, And grace will lead me home.
4 portion be, As long as life en- dures.
5 in the veil, A life of joy and peace.
6 here be- low, Will be for- ever mine.
U sing God’s praise, Than when we first be- gun.
- F(C) - C(G) -
C My chains are gone, I've been set free. My God, My
F(C) - C(G) - F(C) -
C Savior has ransomed me. And like a flood his mercy
C?Am(Em) - Dm7(D) - C(G) -
C reigns. Un-ending love, amazing grace

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Em

The Butterfly Song (If I Were a Butterfly) (2/4) 1974,2002
Words and Music by Brian M. Howard Key - D
D - G D
1 If I were a butterfly, I’d thank you Lord for giving me wings
2 If I were an elephant, I’d thank you Lord by raising my trunk
3 If I were a wiggly worm, I’d thank you Lord that I could squirm
D - E A7
1 If I were a robin in a tree, I’d thank you Lord that I could sing
2 If I were a kangaroo, you know I’d hop right up to you
3 If I were a fuzzy, wuzzy bear, I’d thank you Lord for my fuzzy, wuzzy hair
D D7 G -
1 If I were a fish in the sea, I’d wiggle my tail and I’d giggle with glee, But
2 If I were an octopus, I’d thank you Lord for my fine looks, But
3 If I were a crocodile, I’d thank you Lord for my great smile, But
A A7 D
# I just thank you Father for making me, me
G D -
C For you gave me a heart and you gave me a smile, You
G -
C gave me [Lord] Jesus and you made me your child, And
A - D G D?
C I just thank you Father for making me, me
B: thumbs together (flap hands); R: flap arms, hand to mouth (beak-sing);
F: hands together (swim side-to-side); E: shoulder to nose (wave arm);
K: bunny hop; O: arms & legs wiggle; W: index finger wiggle;
FWB: arms crossed (rub arms); C: straight arms (one up), clap closed at smile

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Olney Hymns; "1 Chronicles 17:16–17, Faith's Review and Expectation"
John Newton (1725–1807), published in 1779, written 1772?
It has been associated with more than 20 melodies, but in 1835 it was joined to a tune named "New Britain" (amalgamation of "Gallaher" and "St. Mary") to which it is most frequently sung today.
1835: William Walker, the composer who first joined John Newton's verses to "New Britain", to create the song that has become "Amazing Grace"
Another verse was first recorded in Harriet Beecher Stowe's immensely influential 1852 anti-slavery novel Uncle Tom's Cabin: He sings the sixth and fifth verses in that order, and Stowe included another verse not written by Newton that had been passed down orally in African American communities for at least 50 years. It was originally one of between 50 to 70 verses of a song titled "Jerusalem, My Happy Home" that first appeared in a 1790 book called A Collection of Sacred Ballads [U]

|2--2|2---2---|2------0--|2--------|2-----2---|2-----2-|
|----|--------|----------|------0--|----------|--------|
|---2|----2---|2------0--|------0--|2-----2---|------2-|
|0---|0-----0-|----------|0--------|----------|0------0|
A-ma--zing grace! how sweet the sound that saved a-
|2------0---|5----2|5----5--|---------|-------|2---------|
|-----------|------|--------|---------|0-----0|----------|
|2------2---|2----2|2----2--|2-----2--|0--20--|2------2--|
|-----------|------|----4--4|0--------|---00--|----------|
wretch like me! I once was lost, but now am- found, Was
|2-----2--|2---0|2---| intro: "was blind...see" Key: G
|---------|-----|----|
|------2--|2---0|----|
|0-------0|-----|0---|
blind but now I see.

intro: "was blind...see" Key: G
|2--2|2---2---|2------0--|2--------|2-----2---|2-----2-|2------0---|
|----|--------|----------|------0--|----------|--------|-----------|
|---2|----2---|2------0--|------0--|2-----2---|------2-|2------2---|
|0---|0-----0-|----------|0--------|----------|0------0|-----------|
A-ma--zing grace! how sweet the sound that saved a- wretch like
|5----2|5----5--|---------|-------|2---------|2-----2--|2---0|2---|
|------|--------|---------|0-----0|----------|---------|-----|----|
|2----2|2----2--|2-----2--|0--20--|2------2--|------2--|2---0|----|
|------|----4--4|0--------|---00--|----------|0-------0|-----|0---|
me! I once was lost, but now am- found, Was blind but now I see.

Artist: Chris Tomlin Song: Jesus Messiah (4/4)
Capo 3 Key of Bb (2/A?) 1,C,2,C,B,C,Jesus...all d=~83
? G D/F#
1 He became sin Who knew no sin That
2 His body the bread His blood the wine
Em C2
1 we might become His Righteousness He
2 Broken and poured out all for love The
G D/F#
1 humbled himself and carried the cross
2 whole earth trembled And the veil was torn
? Em? ? C2?
# Love so a- mazing Love so a- mazing
- G - C2
C Jesus Mes- siah Name above all names
- Em - D
C Blessed Rede- emer Emmanu- el
- G -
C The rescue for s- inners The ransom from
C2 - Em ? D
C Heaven Jesus Mes- siah Lord of all -
-C2? Em C2 Em
B All our hope is in You All our h- ope is in You
C2 Em -? C2 D
B All the gl- ory to You, God The light of the world

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Am

Artist: Chris Tomlin Song: Jesus Messiah (4/4)
Capo 4(B)-rec or 3(Bb) 1,C,2,C,B,C,Jesus...all d=~83
- G Am
1 He became sin Who knew no sin That
2 His body the bread His blood the wine
G/ C
1 we might become His Righteousness He
2 Broken and poured out all for love The
G Am
1 humbled himself and carried the cross
2 whole earth trembled And the veil was torn
G C G C
# Love so a- mazing Love so a- mazing
- G - C
C Jesus Mes- siah Name above all names
- G - Dsus
C Blessed Rede- emer Emmanu- el
- G -
C The rescue for s- inners The ransom from
C - G/ Dsus G
C Heaven Jesus Mes- siah Lord of all - [2,B,e]
- Am G/ C
B All our hope is in You All our h- ope is in You
Dsus Am G/ C Dsus, 1,st
B All the gl- ory to You, God The light of the world [C]
[e] G/ G Dsus C C,C C,G -

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Played Bb: http://www.youtube.com/watch?v=iHpHIotUzPA&feature=av2n
(recorded in B)
http://www.ultimate-guitar.com/tabs/c/chris_tomlin/jesus_messiah_ver3_crd.htm
B?: B C#m B/D# E B C#m
Capo3: G Am G/ C G Am
(Bb)
B E B E
G C G C
B E B F#sus
G C G Dsus
B E B/D# F#sus B
G C G/ Dsus G
C#m B/D# E F#sus (x2)
Am G/ C Dsus
B/Ab B F#sus E E,E E,B
[e] G/ G Dsus C C,C C,G

C,I?,1,B,2,C,3,C?,(C),4,C,C,C,E
|G2 |G2 |C2 |G2 | G G7 C G C G C G
C I’ll fly away, Oh Glory, I’ll fly away
|G2 |G2 Em7 |G2 Dsus |G2 | G Dsus Em G D G
C When I die, hallelujah by and by, I’ll fly away
I ||: G | G | G | C :|| Intro – G C G C G C G x2
|G2 |G2 |C2 |G2 | G G7 C G C G C G
1 Some bright morning when this life is over, I’ll fly away
2 When the shadows of this life have grown, I’ll fly away
3 Oh how glad and happy when we meet, I’ll fly away
4 Just a few more weary days and then, I’ll fly away
|G2 |G2 |C2 |G2 | G C G
1 To a land on God’s celestial shore, I’ll fly away
2 Like a bird from these prison walls, I’ll fly, I’ll fly away
3 No more cold iron shackles on my feet, I’ll fly away
4 To a land where joy will never end, I’ll fly away
B | Em7 | G2 | Em7 | Bridge – Em, G, Dsus, G
|G2 Dsus |C2 |G2 Dsus |G2 |
E I’ll fly away, I’ll fly away
G2- 320033
C2- x32033
Em7- 0220033
Dsus- xx0233

I'll Fly Away
Jars of Clay
Redemption Songs
Chords: G- 320033 G7- 323003 C- x32033 Em- 0220033 D- xx0232 D/F#- 200232
Verse/Chorus
G G7 C G
G D/F# Em
G D G

SOLO:
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G-----16----14----12----14-12----14-14-12-------17----17----17----17-----------